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Cinema Moonlight Cinema

A Bride for Rip Van Winkle

リップヴァンウィンクルの花嫁

2016FilmJapan

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Storyline

The whole story, ending included.

A timid woman rents a wedding, loses a marriage and is hired as a maid by a dying woman — Iwai on rented intimacy.

Nanami Minagawa, a timid temporary teacher, meets Tetsuya Tsuruoka through a social network and marries him almost as easily as buying something online. His side of the wedding is crowded, hers nearly empty, and he asks her to fix it. She turns to Amuro, a smooth jack-of-all-trades she knows online, who supplies actors to play her relatives and friends. Finding an earring in their flat, she hires Amuro to look into Tetsuya. A man claiming to be the boyfriend of Tetsuya's lover lures her to a hotel room, and a video of her there reaches her mother-in-law, Kayako, who accuses her of cheating and exposes her parents' divorce. Nanami loses her marriage and her home. It was Amuro, working for Kayako, who set her up.

Homeless, she works as a hotel maid until Amuro offers her other jobs: playing a relative at a stranger's wedding, where her fake sister is a lively actress, Mashiro Satonaka, and then living in as a maid in an empty mansion for a million yen a month. Mashiro turns out to be the other maid. She goes out to act daily and comes home drunk. When she falls ill, her manager tells Nanami that Mashiro works in adult video, rents the mansion herself and is nearly broke. Nanami suggests they find a cheap flat together. On the way home they try on wedding dresses, drive back in them and hold a party for two. Mashiro says the world is too kind to her, and asks Nanami to die with her. Nanami says yes, and they fall asleep having promised each other love.

In the morning Amuro arrives with an undertaker Mashiro had booked. She was dying of cancer and had paid him to find a friend who would die with her. Mashiro has taken her own life; Nanami is alive. At the funeral the actor who once played Mashiro's father weeps real tears. Nanami and Amuro take the ashes to Mashiro's estranged mother, who scorns her daughter's work, then, drinking, strips naked to understand it; Amuro, weeping, does the same, and Nanami laughs through her tears. Nanami moves into an ordinary flat and finds teaching work again. Amuro brings her discarded furniture, and when she sees him off, her voice is brighter than before.

Starring

  • Haru Kurokias Nanami Minagawa

    A timid temporary teacher who marries a man she met online, loses everything, and finds a strange new life through paid work.

    Nanami Minagawa’s story

    Nanami, a timid temporary teacher, marries a man she met online as easily as buying something with a click, and hires Amuro to fill her side of the wedding with actors. Suspecting an affair, she hires him again, is lured to a hotel room and filmed, and her mother-in-law throws her out. Homeless, she cleans hotel rooms until Amuro offers work: playing a relative at a stranger's wedding, where she meets Mashiro, then living in as a maid in an empty mansion, where Mashiro is the other maid. She proposes they rent a cheap flat; they try on wedding dresses and hold a party for two, and when Mashiro asks her to die with her, she says yes. She wakes alive; Mashiro is dead. Nanami moves into an ordinary flat, teaches again, and sees Amuro off in a brighter voice.

  • Coccoas Mashiro Satonaka

    A free-spirited actress who works in adult video, goes by the online name Rip Van Winkle and hides a terminal illness.

    Mashiro Satonaka’s story

    Mashiro is a lively actress who goes online as Rip Van Winkle. She plays Nanami's sister at a stranger's wedding. When Nanami arrives at an empty mansion as a maid, Mashiro turns out to be the other one, out acting by day and home drunk at night. When she falls ill, her manager tells Nanami that she works in adult video, rents the mansion herself and is almost broke. They drive home in wedding dresses for a party of two. The world is too kind to her, Mashiro says, and she asks Nanami to die with her. By morning she has taken her own life: dying of cancer, she had paid Amuro to find her a friend to die with. At her funeral her hired father weeps real tears, and her mother, who scorned her work, strips to understand it.

  • Go Ayanoas Yukimasu Amuro

    A smooth jack-of-all-trades who hires out fake wedding guests, wrecks Nanami's marriage for a fee, then keeps finding her work.

    Yukimasu Amuro’s story

    Amuro is a smooth jack-of-all-trades who hires out stand-ins. He fills Nanami's side of her wedding with actors, then, paid by her mother-in-law, sets her up in a hotel room while pretending to rescue her, and her marriage collapses. After that he keeps finding her work: a relative's part at a stranger's wedding, then a live-in maid's job at a million yen a month. All along Mashiro, who is dying of cancer, has paid him to find her a friend who will die with her. The morning after, he arrives at the mansion with the undertaker she booked. He and Nanami take Mashiro's ashes to her estranged mother, and when the mother strips naked to understand her daughter's work, he strips too, weeping. At the end he brings Nanami discarded furniture for her new flat.

  • Go Jibikias Tetsuya Tsuruoka

    Nanami's husband, met on a social network, who is close to his mother and quick to believe the worst of his wife.

  • Hideko Haraas Kayako Tsuruoka

    Tetsuya's mother, who pays to have Nanami set up, accused and pushed out of the marriage.

  • Lilyas Tamayo Satonaka

    Mashiro's estranged mother, who scorns her daughter's work until grief breaks through her contempt.

Why it matters

A Bride for Rip Van Winkle is about intimacy that can be bought: friends found online, wedding guests hired by the hour, a husband chosen as easily as a purchase, even a companion in death paid for in advance. Shunji Iwai, who began the story in drafts written after the 2011 disaster, lets that marketplace be cruel and, strangely, kind, so that a hired family weeps real tears at a funeral. The issues are loneliness in a networked city, marriage as a performance, sex work and the contempt it draws, and a love between two women that arrives dressed as a game and turns out to be the truest thing in the film. Nanami's journey, from someone things happen to towards someone who can speak in her own voice, is small and complete. Under the gentleness sits a harder question: whether a kindness bought with money can still be love.