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Cinema Moonlight Cinema

Thappad

2020FilmIndia

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Storyline

The whole story, ending included.

One slap at a party; she files for divorce over it, and everyone asks her if it was really that bad.

Amrita Sabharwal's day begins before her husband's. She takes in the milk and the paper, makes the tea, waters the plants, wakes Vikram and sends him off fed, and she insists this life is her choice. She once wanted to be a dancer; now she teaches dance to Sania, the daughter of her widowed neighbour, Shivani. Vikram is about to be promoted to his firm's London office, and they throw a party at home to celebrate. Midway through, a phone call tells him office politics have undercut the promotion. He rounds on his superior, Rajhans, and when Amrita tries to pull him away, he slaps her in front of everyone.

Nobody asks her if she is all right. Her mother-in-law, Sulakshana, sends her back out to the guests and tells her a woman must learn to tolerate. Vikram talks about his stress and never apologises. Amrita goes to stay with her parents, where her mother, Sandhya, hopes she will go back. When Vikram sends a legal notice ordering her home, she consults Netra Jaisingh, a celebrated lawyer who advises her to compromise, and files for divorce anyway. Vikram's lawyer answers with a petition of false accusations. Amrita finds she is pregnant, and Vikram offers a settlement in return for custody of the child. She threatens a domestic violence case, and he agrees to a mutual divorce. Rajhans, the man he was shouting at, tells him plainly that the slap was his fault.

The slap unsettles every marriage around her. Netra, whose husband, Rohit, claims the credit for her success and rapes her, walks out of it all. Sunita, the maid, beaten by her husband day after day, finally hits back. Sandhya tells Amrita's father, Sachin, that she gave up singing for their marriage and he never asked why. At a prayer gathering for the baby, Amrita tells Sulakshana that no one in the family asked how she was, only told her to endure. Sulakshana apologises.

Months later, heavily pregnant and living alone in a small flat, Amrita goes to court to sign the final decree. Vikram apologises for the first time. He has quit his job, and he wants to become someone who deserves her. They part divorced, and on hopeful terms.

Starring

  • Taapsee Pannuas Amrita Sabharwal

    A homemaker who has built her days around her husband's, until one slap at a party shows her what the marriage has cost her.

    Amrita Sabharwal’s story

    Amrita is up before everyone, making the tea and photographing the same patch of sky each morning, and she calls the life she runs around Vikram her own choice. After the slap nobody asks whether she is all right. She moves to her parents' house and, against her lawyer's advice to compromise, files for divorce, wanting nothing from him but her freedom. She still goes back each day to nurse her mother-in-law, and when she finds she is pregnant she tells Vikram the child will have a father but she will not return. Met with his lawyer's lies, she threatens a domestic violence case. At the prayer gathering for the baby she tells the family what none of them asked. Months later, alone in a small flat, she signs the decree, hears his first apology and drives herself home.

  • Pavail Gulatias Vikram Sabharwal

    Amrita's husband, a corporate high-flyer bound for London, who slaps her in front of his guests and cannot see why it matters.

    Vikram Sabharwal’s story

    Vikram's life runs to a plan: the London posting, a house there with a blue door, a wife who keeps the home turning. When a call at his own party tells him office politics have undercut his promotion, he rounds on his superior, Rajhans, and slaps Amrita as she pulls him away. The next morning he talks only of his own humiliation. He sends a legal notice ordering her home, lets his lawyer file a petition of false claims and offers her money for custody of their unborn child. He gets London in the end, and Rajhans tells him the slap was his fault. Faced with a domestic violence case, he agrees to a mutual divorce. At the court he apologises for the first time: he has quit his job and wants to become a man who deserves her.

  • Maya Saraoas Netra Jaisingh

    A celebrated lawyer who advises Amrita to compromise while living inside a marriage that belittles and abuses her.

    Netra Jaisingh’s story

    Netra has just won a celebrated sexual harassment case, yet at home her husband, Rohit, a television journalist, credits her success to her being Justice Jaisingh's daughter-in-law, and he rapes her. She leans out of a car window to gulp the air; with her lover, Priyan, a chef, she talks about everyone's right to be happy. When Amrita comes to her, Netra advises compromise, the bargain she has made herself, and then pushes her to claim a large settlement. Amrita wants nothing but the divorce, and her stand moves Netra to act. By the end she is packing up her wedding photographs to leave Rohit, and she ends things with Priyan too, telling him she wants to be happy in everything she does now.

  • Tanvi Azmias Sulakshana Sabharwal

    Vikram's mother, who lives with the couple to look after her son and teaches Amrita that a woman must learn to tolerate.

  • Kumud Mishraas Sachin Sandhu

    Amrita's gentle father, who backs her decision from the start but never asked why his own wife stopped singing.

  • Ratna Pathak Shahas Sandhya Sandhu

    Amrita's mother, who hopes her daughter will keep the peace and who once gave up her own dream of singing.

Why it matters

Thappad builds its story on the smallest act of violence a film could choose, a single slap, and will not let anyone call it small. Its question is not whether Vikram is a violent man. It is why everyone around Amrita, her mother-in-law, her mother, her own lawyer, expects her to absorb the blow, and what that expectation says about the marriages they have made themselves. The film sets domestic violence beside the quieter costs it grows out of: the dancer who became a household manager, the singer who stopped singing, the lawyer whose husband takes her credit and her consent. Released in February 2020, it won seven Filmfare Awards, including Best Film and Best Actress for Taapsee Pannu. What it leaves open is the thing Amrita struggles to say aloud: that respect, once gone, is reason enough to leave.